Why You'll Love It

A fully manual 180° fisheye lens for Micro Four Thirds cameras, built for photographers who want a dramatic, ultra-wide look without an autofocus lens's price tag or complexity.

Imagine this: the whole barkada crammed into a tiny dorm room for a birthday hangout — not stitched together, not half the group cut off at the edges. A regular lens can't fit everyone in frame from that close indoors. This one can.

180° Diagonal Fisheye Field of View. Captures an entire room, building, or landscape in one dramatically curved frame — a look no standard wide-angle lens can match, with straight lines bending outward from the center.

Fully Manual Focus and Aperture. No autofocus, no electronic contacts with the camera body — focus and aperture are set entirely by hand on the lens itself. Slower to use than an autofocus lens, but a genuinely good way to learn how focus and exposure actually work.

Extremely Close Focusing. Focuses down to just 12cm, close enough to get right up against a subject while the fisheye's field of view still pulls in everything around it — a signature fisheye trick for making a small space look huge.

Compact, Lightweight Build. At 275g and barely bigger than a soda can, it's the kind of lens that fits in a bag "just in case" without anyone noticing the extra weight.

11-Element Optical Design. A proper multi-element optical formula keeps images sharp corner to corner, holding up well against wide-angle lenses that cost several times more.

Built-In Folding Lens Hood. A hood is built into the barrel itself and folds out of the way rather than needing a separate accessory to lose or forget.

Resources

180-Degree Diagonal Fisheye Field of View
Fully Manual Focus and Aperture
Extremely Close Focusing (12cm)
Compact, Lightweight Build
11-Element Optical Design
Built-In Folding Lens Hood

Mount	Micro Four Thirds
Focal Length	7.5mm (15mm full-frame equivalent)
Maximum Aperture	f/2.8
Angle of View	180 degrees
Lens Construction	11 elements in 10 groups
Minimum Focus Distance	0.12m
Weight	275g

Front Cap
Rear Cap

7Artisans 7.5mm F2.8 Fisheye Lens

Rent this item

This item isn't open for booking yet — check back soon.

Related Items

Lenses

Olympus M.Zuiko Digital ED 40-150mm F4.0-5.6 R Lens

An affordable telephoto zoom for Micro Four Thirds cameras, built for photographers who want to reach across a court or field without the size, weight, or price tag of a pro-grade lens. Imagine this: the sidelines of a barangay three-on-three game, well back from the actual court - this is the lens that closes that distance, pulling in a tight shot of the actual play instead of a wide shot of the whole crowd. 80-300mm-Equivalent Telephoto Reach. Micro Four Thirds' 2x crop factor turns this 40-150mm zoom into an 80-300mm field of view, enough reach to pull in distant action from the sideline or bleachers. Fast, Near-Silent MSC Autofocus. A Movie & Stills Compatible autofocus system keeps focus quick and quiet, tuned specifically to track moving subjects without the hunting or noise of an older autofocus motor. Exceptionally Light for Its Reach. At just 190g, it barely changes how a small Micro Four Thirds body handles - most telephoto zooms this long weigh two or three times as much. Non-Rotating Filter Thread. The front element doesn't rotate while focusing, so a polarizing filter can be dialed in once and stays correctly aligned as the lens autofocuses. 0.16x Close-Focusing Magnification. Focuses down to 0.9m even at the long end of the zoom, enough for genuinely useful close-up detail shots without switching to a dedicated macro lens. 7-Blade Circular Diaphragm. Seven rounded aperture blades keep out-of-focus backgrounds soft and circular, helping isolate a subject even without a particularly wide aperture. https://www.youtube.com/watch?v=g-R30wB1BH8 Manual See Real Photos Shot With This Lens Sharpness and Sports/Wildlife Test

View Details →

Lenses

Panasonic Lumix G 25mm F1.7 ASPH. Lens

A fast, affordable "nifty fifty" prime for Micro Four Thirds cameras - DPReview gave it an 83% Gold rating, calling it a well-priced, capable prime that leaves most users satisfied. Perfect for: getting comfortable with your camera - a 50mm-equivalent field of view close to what the human eye sees naturally, which makes composing a shot feel intuitive instead of technical. It's the lens for someone building a personal portfolio on their own time, pointing it at whatever's actually around them - a pet, a plate of food, their own room - before reaching for anything more specialized. Fast F1.7 Aperture. A wide f/1.7 maximum aperture lets in far more light than a kit lens, useful for shooting indoors without flash, and throws the background out of focus for real subject-background separation. 50mm-Equivalent Field of View. Micro Four Thirds' 2x crop factor turns this 25mm lens into a 50mm field of view - the classic "normal" perspective that closely matches natural human vision. Fast, Silent Stepper-Motor Autofocus. A stepping motor drives focus quickly and almost silently, keeping autofocus fast for stills and unobtrusive enough not to get picked up by a camera's built-in mic during video. Compact, Lightweight Build. At just 125g, it barely changes how a small Micro Four Thirds body handles or balances, making it an easy lens to leave mounted day to day. 7-Blade Circular Diaphragm. Seven rounded aperture blades keep out-of-focus highlights soft and circular rather than polygonal, even stopped down slightly from wide open. 0.25m Close Focus. Focuses down closer than most standard primes, useful for detail shots without needing to switch to a dedicated macro lens. https://www.youtube.com/watch?v=EQjMH0IVWNM Manual See Real Photos Shot With This Lens (DPReview Sample Gallery) Outdoor Video Test With This Lens

View Details →

Lenses

Panasonic Lumix G 14mm F2.5 ASPH. Lens

A tiny wide-angle pancake prime for Micro Four Thirds cameras, so compact and light that DPReview called it "certainly the lightest" interchangeable autofocus lens they'd ever tested at launch. Perfect for: someone who wants a camera in their bag every day, not just on shoot days. Mounted up, the body barely gets any bigger, so there's no excuse to leave it behind before a trip to the sari-sari store, a weekend at home, or just documenting everyday life as it happens. Just 55g and 20.5mm Thick. Barely bigger than a body cap, it turns any Micro Four Thirds camera into something that fits in a jacket pocket without the bulk of a normal lens. 28mm-Equivalent Wide-Angle View. Micro Four Thirds' 2x crop factor turns this 14mm lens into a 28mm field of view, wide enough for group shots, interiors, and environmental scenes without needing to back up. Fast, Silent Stepping-Motor Autofocus. A stepping motor drives focus quickly and almost silently, keeping autofocus fast for stills and unobtrusive enough not to get picked up by a camera's built-in mic during video. Non-Rotating Filter Thread. The front element doesn't rotate while focusing, so a polarizing filter can be dialed in once and stays correctly aligned as the lens autofocuses. 7-Blade Rounded Diaphragm. Seven rounded aperture blades keep out-of-focus highlights soft and circular rather than polygonal, even on a lens this compact. Internal Focusing. The lens barrel doesn't extend or change length while focusing, keeping its slim pancake profile intact no matter what it's focused on. https://www.youtube.com/watch?v=tW-fX6gwA1Q Manual See Real Photos Shot With This Lens (DPReview Sample Gallery) 14mm vs. 20mm - Which Pancake Lens Is Right for You?

View Details →

Accessories

Godox X1T-O TTL Wireless Flash Trigger Transmitter for Olympus/Panasonic

A compact wireless flash trigger for Olympus and Panasonic cameras, built to fire and control a Godox flash off-camera without losing TTL automatic exposure. Imagine this: on-camera flash keeps casting a flat, harsh shadow straight behind the subject - moving the flash off to the side would fix it instantly, if only there were a way to fire it without a cable running across the floor. Full TTL Compatibility. Keeps the camera's automatic exposure metering working even with the flash off-camera, no manual guesswork required. 328ft Wireless Range. A verified 100-meter radio range covers a large room or hall with no line-of-sight requirement, unlike older optical-pulse triggers. 32 Channels, 5 Groups. Fine-grained control over multiple flashes at once, with enough channels to avoid interference from other Godox users nearby. High-Speed Sync to 1/8000s. Syncs with fast shutter speeds instead of being capped at a slow flash-sync limit, useful for freezing motion or shooting wide open in bright daylight. Hot Shoe and PC Sync Port. Mounts directly to the camera's hot shoe, or connects to studio strobes via a standard sync cable for off-camera lighting setups. Backlit LCD Display. Settings stay readable even in dim, low-light shooting conditions - no fumbling with tiny unlit buttons mid-shoot. https://www.youtube.com/watch?v=ZZnlZYf9rGo Manual Real-World Hands-On Review (Tested on the Sony Version - Same Core Features) Pairing This Trigger With the TT350O Flash

View Details →